Tenants of Lenapehocking in the Age of Magnets

Submitted on July 20,2026
Tenants of Lenapehocking in the Age of Magnets. Photo courtesy of the Charles L. Blockson Collection, Temple University Libraries
Produced by
Louis Massiah and Scribe Video Center
Year
2026
Duration
58:13

Tenants of Lenapehocking in the Age of Magnets is a story about a land and its inhabitants, focusing on the everyday moments and influential movements of a thriving Black community in an area between the Delaware and Schuylkill Rivers known as North Philadelphia, and the original homeland of the Lenape people. Ten oral histories provide a spine for this documentary to explore a 20th century history of Black social, cultural, and political life that rippled throughout the world, animated by the photography archive from the  John W. Mosley Photography Collection of the Charles L. Blockson Afro-American Collection and other archives. Featured interviews and participants: Cecily Moore Banks, Elaine Brown, Dr. John Churchville, David Litofsky, Dr. Rae Alexander Minter, Chief Bob Redhawk Ruth, Jamaaladeen Tacuma, Rev. Frank Tyson, Karen Warrington, and Rev. Joseph Williams.

Archival photos courtesy of the Charles L. Blockson Afro-American Collection, Temple University Libraries

 

For questions about educational licensing, screenings, and partnerships, please contact Will Michael at william@scribe.org


NEWS:

Tenants of Lenapehocking in the Age of Magnets Selected to Screen at the 15th BlackStar Film Festival

Tenants will screen at the 2026 BlackStar Film Festival at the Kimmel Center on Thursday, August 6 at 5:30pm. It will also be available to stream online beginning on August 6 at 9:00pm. Tickets can be purchased on the BlackStar Projects website

Part historical meditation, part civic inquiry, Tenants of Lenapehocking in the Age of Magnets explores the intertwined stories of land, displacement, and Black life in North Philadelphia through ten oral histories and the extraordinary photographic archive of John W. Mosley (1907-1969). Situated on Lenapehocking, the ancestral homeland of the Lenape people, the film invites audiences to reconsider what it means to belong to a place shaped by migration, extraction, memory, and resilience.

"The film asks us to think differently about tenancy," said director Louis Massiah. "Not simply as a legal relationship to housing, but as a way of understanding the collective impermanence of everyone on this land, and therefore a way to question ownership as opposed to stewardship. Tenancy is a humbler way to talk about this sense of responsibility and our relationship to land, history, community, and one another."