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Gloria Morán: Transmedia Storytelling

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DATE: Sunday, April 28; TIME: 1:00PM - 3:00PM; SPRING 2013

Instructor: Gloria Morán
Fee: $15. $5 for Scribe members, Leeway Foundation grantees, and Filadelfia Latin American Film Festival ticket holders

Currently on a screening tour, Gloria Morán's new documentary The Unique Ladies is introducing members of San Diego's only all-women lowrider club to audiences across the country. At the same time, these extraordinary women's stories are amplified by related content – photographs, testimonials, interview footage – that Morán developed for dissemination across diverse platforms.

Using The Unique Ladies as a case model, Morán will present strategies for developing, funding, and producing digital media projects for distribution through multiple digital media platforms. Topics will include how to effectively collaborate with participants (usually dubbed “subjects”) to develop a compelling story; how to organize a successful crowd-funding campaign; how to use different delivery platforms to extend your story and broaden your audience; and how to produce, edit, and prepare content for delivery across multiple platforms including blogs, online photo- and video-sharing services, and social media sites.

Moran's documentary The Unique Ladies screens in the Filadelfia Latin American Film Festival 2013 on Saturday, April 27, 2:15PM at the International House and again on Sunday, April 28, 6:00PM at the Gershman Y.
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Presented in partnership with the Filadelfia Latin American Film Festival and the Leeway Foundation


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Planning A Low Budget Documentary

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DATES: Thursdays, May 2, 9, 23, 30, June 6, 2013; TIME: 7:00PM-9:00PM; SPRING 2013

Instructor: Anula Shetty (right)
Fee: $85.

Have an idea for a video documentary project? This intensive workshop is designed for people who want to work in small-format video (DV, miniDV and HDV). We will focus on how to creatively develop and break down your idea into a one-page treatment and introduce materials to create project production schedules and a sample budget. This is the ideal workshop for first-time videomakers at the start of their projects.





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Nekisa Cooper: The Craft of Producing

Saturday, February 16, from 1:00PM-3:00PM; WINTER 2013

Instructor: Nekisa Cooper
Fee: $25. $15 for Scribe or Reelblack members

On an independent film project the "creative producer" must marshal all her creative and entrepreneurial skills during every phase of the process. From initial concept to delivery of the final product, the creative producer is responsible for (among other things) attaching talent, securing financing, managing production and post-production, and delivering that sweet distribution deal--all the while ensuring the artistic integrity of the project. In this Master Class, award-winning producer Nekisa Cooper will share her insights on tapping your own skills, experience, and networks in order to transform that compelling script into a great film.


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Ed Vassallo: Financing Your Feature Film

Saturday, February 23, 2013; from 1:00 PM-3:00 PM; WINTER 2013

Instructor: Ed Vassallo
Fee: $25. $15 for Scribe, PIFVA, and Reelblack members

How micro is a micro budget? Do you go with a union or non-union production? What are the benefits and drawbacks of websites like Kickstarter and Indiegogo? In soliciting funds, when does persistence become annoyance? What is the impact of casting decisions? How do you manage the tension between the integrity of your Art and the demands of Genre? What makes movies marketable, and how do they make money? Join veteran producer and actor Ed Vassallo as he considers these questions with workshop participants, and presents a 6-part financing strategy for your feature film.

Presented in partnership with Philadelphia Independent Film & Video Association (PIFVA)


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Grace Lee: Exploring the Gap between Rhetoric and Reality

Monday, February 11 from 7:00 PM-9:00 PM

Instructor: Grace Lee
Fee: $25. $15 for Scribe and PIFVA members

In this Master Class, director Grace Lee will discuss the ethical, aesthetic, and practical implications of mixing scripted elements with documentary material. Can artifice enable us to comprehend underlying truths otherwise invisible within a conventional documentary structure? What is the difference between "fact" and "truth"? What is the filmmaker’s ethical responsibility to audience and subject? How does this strategy impact the filmmaking process from development/pre-production to post-production and distribution?

Her film Janeane from Des Moines will be screened on Tuesday, February 12 at 7:00PM.

Presented in partnership with the Asian American Studies Program at University of Pennsylvania, The Greenfield Intercultural Center at University of Pennsylvania, The Pan-Asian American Community House (PAACH) at University of Pennsylvania, Film and Media Arts at Temple University, and Philadelphia Independent Film & Video Association (PIFVA)


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